Friday, February 18, 2011

3 Artists


The three artists I chose to focus on for this project all used paint or their mediums of choice in an unusual and beautiful way. Although each artist generally stayed true to the traditional square or rectangular shaped limitations of their canvases, the nature in which they applied paint or their mediums of choice explored different methods and encouraged me to play with form and lines in ways I normally would not.
I enjoy Jim Lee’s work because he takes a subtle approach to painting. Initially when I begin brainstorming for new projects, I feel the need to use every part of the canvas or space, sometimes unnecessarily and recklessly. His limited color palette and selected use of space allowed me to have a better understanding of how form and color can become more significant through our decisions to present them under certain conditions. I decided to limit my use of colors for the pieces I am currently working on because I want to emphasize the significance of one color against another. Although the black hair I use is thin and straggly, the crisp white atmosphere in the background gives strength to the black lines. Lee’s pieces have given me a better understanding of the importance of simplicity and how color limitation can emphasize two opposing colors and form.
I found Pia Fries’ work to be beautiful! She has a sculptural component to her paintings that make her interesting. Fries’ work encouraged me to incorporate different mediums other than the traditional paints into my pieces. I experimented with both real and fake hair along with exploring different textures I was able to create through oil paints. Using only a pallet knife, I painted the sky on eight tiny canvases. Just like Fries, I thickly and applied paint on the surface of my canvases.
Gertrud Goldschmidth, also known as Grego is another artist whose work I was attracted to. Grego repetitively uses simple lines to create beautiful gestures and scenes in his two pieces Reticularea, 1973 and Untitled, 1966. Like Grego, I wanted to use black lines to create moments of intensity as well as moments of delicate fluidity. Using black hair, to create such moments I took into consideration Grego’s use of geometric forms created by various black lines. Unlike Grego, my work will have sculptural characteristics where, the black lines physically come off the canvas. Like Grego, I will use these lines to create a diverse range of light and dark. I will also present the lines as a whole instead of identifying each line as a single unit, just as Grego does in his pieces.
All three artists were helpful in their own way. Through each artist’s technique and style, I have gained a better understanding of different approaches I can take to painting.

Thursday, February 17, 2011

3 Artist

Pia Fries
BEROTEL Y5, 2008
oil, inkjet print, and paper on wood
9 1/2 X 6 3/4 inches

Pia Fries
UPNEY, 2008
oil and silkscreen on wood
30 3/8 X 41 3/8 inches
Pia Fries
BEROTEL Y6, 2008
oil, inkjet print, and paper on wood
9 1/2 X 6 3/4 inches

3 Artist

Gego (Gertrud Goldschmidt)
Untitled, 1966

Gego (Gertrud Goldschmidt)
Reticulárea
1973, printed 1988

Jim Lee
Untitled (In Your Grave), 2010
Enamel on wood panel with canvas and MDF
33 x 22 x 3 inches

Tuesday, February 8, 2011

painting goal


One of my goals for my paintings this semester is to find ways to apply paint that are different and unique. I want to use colors in ways that I would not normally use it, using tools I would not normally use. In the beginning of the semester I would like to start out small, but as the semester progresses and I build my confidence I would like to use bigger canvases. Whatever the subject of my painting is, I want it to explore organic forms. I do not want to paint structured objects.